I have been painting more still lifes in the past couple years. They provide subject matter for painting inside when the weather is not good for painting outside and I don’t have a photo that particularly inspires me. I always set up my own still life from items that are close at hand. I decide which items to use and I do the arranging.
But this summer while traveling in Europe I came across a wonderful still life that was already arranged by someone who probably had no idea that’s what they were doing. I had a sketchbook with me and at noon we would often sit at a sidewalk café for lunch. I would sketch whatever I could see from where I was sitting. But this particular day in Poland it was raining at noon and we entered a small café and sat inside.
Looking around, I suddenly noticed on the counter the most amazing still life of fruit in glass bowls, a huge watermelon, and various containers. I began sketching at once and also took photos, not only of the objects on the counter but also of the young woman who was working behind the counter. Something about her expression reminded me of a impressionist painting of a bar maid behind a counter. So I photographed her too.
Back at home I painted the still life pretty much as I had seen it and just moved the young woman a bit closer to include her too. All those details were very challenging to paint and I spent much more time on it that I usually do on a painting. As I was painting, I noticed something else too. The painting reminded me of those samplers young girls use to embroider many years ago to show the kinds of stiches they could do. This painting included so many examples of what artist learn, such as painting different shapes including cylinders and three dimensional rectangles. There are repeats of colors and shapes. It features examples of how to paint fruit, glass, metal and china. There is also a portrait.
Whoever arranged that counter had the soul of an artist and I am so grateful for the inspiration.